There is truth, then the ring of truth. The former may extract a pound of flesh or a quart of blood from the reader, yet allow the subtle entrapment quietly releasing the cornered soul merely by being unpersuasive. The latter, despite often lacking in some essential details, will nevertheless engulf the audience, whether intended or indirect and unaware, into a comatose purring of half-conscious slumber, where acceptance of an argument because of a danger of violating the pleasantry of the moment is more important than embracing the facts themselves.
That is, of course, what is ultimately “wrong” with the writing style of a diatribe; it is the seething, subterranean anger in the undercurrent of a volatile eruption like the bursting lava from an unconstrained volcano where civilizations perish and survivors flee with but the clothes on their backside, which fails the purposive teleology of a barrage of words.
The persuasive outlier must possess the heart of a musician, the humor of an invited conversationalist, and the soul of a philosopher; otherwise, the dinner audience may begin to yawn and request to excuse themselves for various reasons, including an early exit for want of company.
The truth is, truth itself is boring. It needs sugar, spice and all that is nice; wrapped in paper which stands out, but refuses the ostentatious condiments of vulgarity in a universe surrounded by stellar vacuity. Convincing truth, on the other hand, possesses a disposition of a rhythmic melody, orchestrated with precision by a master with a conductor’s baton not made of any particular wood, but where the waving and weaving flows in consonance with the confluency of nature, artifice and linguistic pablum.
In any effective narrative, there must always retain the cadence of coherence. That is often the “trouble” with Federal Disability Retirement applicants who formulate his or her own narrative of persuasive concoctions; will the U.S. Office of Personnel Management drink of the vitriol seething beneath the surface of turmoil? Will the obvious diatribe translate into a persuasive cadence of coherent ideations?
Federal employees and U.S. Postal workers who must file for Federal Disability Retirement benefits through OPM, whether under FERS, CSRS or CSRS Offset, have a dual whammy of obstacles to face: They themselves must be the focus of the narrative; and, moreover, they themselves must present a voice of objectivity. Both are immediately undermined when the medical condition itself is the very reason, rationale and underlying foundation for which the entire Federal Disability Retirement application must be prepared, formulated and forwarded to one’s Agency (if not yet separated, or separated from the Federal sector but not for more than 31 days) or directly to the U.S. Office of Personnel Management.
Preparing the answers required on SF 3112A (Applicant’s Statement of Disability) requires a quiet, rhythmic cadence of coherence; to do so, the origin, source and inception of the narrative must emanate from a composite core made of materials tougher than metal, yet sensitive enough to touch upon that human yearning which defines the empathy of timeless angels.
Robert R. McGill, Esquire