Metaphors and analogies are how we communicate; without them, it is the mere drone of sounds emitted, and even if without the directness of a simile where we place the comparison of two or more differing entities and connect with the word “like”, it is the only means of striving to reach a greater understanding of the world around.
The death of the metaphor is a certainty. Modern technology has eviscerated the capacity of human beings to remain curious; and curiosity is not what killed the cat, but allowed it to remain a force in evolutionary stages of increasing survival instincts, as the trait of the inquisitive allows for greater mastery of the universe. Smart phones allow for a person to defer memorization; computers deaden the natural instinct for query; and technology in general denies the relevance of a metaphor precisely because we need not struggle to explain – the machines do all of the explaining for us.
The death of the metaphor means the rise of the deadened soul, and suppression of everything that was uniquely human. Would Shakespeare have survived in this day and age, or the complexity of language allowed for such subtleties of linguistic shades of meaning?
For the Federal employee or U.S. Postal worker who is suffering from a medical condition, such that the medical condition prevents the Federal or Postal employee from performing one or more of the essential elements of the Federal or Postal employee’s job duties, the need to employ metaphors still exists, as the U.S. Office of Personnel Management – the Federal agency that makes a determination on all Federal Disability Retirement applications – must still be persuaded by argumentation and logical sequencing of thought processes.
Yes, the death of the metaphor is imminent and inevitable, but in the greater corners of administrative law, the metaphor, the simile, the analogy that persuades must yet be utilized in order to make effective a Federal Disability Retirement application, whether the Federal or Postal employee is under FERS, CSRS or CSRS Offset.
Robert R. McGill, Esquire