FERS Medical Retirement: Absurdity with an explanation

According to Quine, the great mathematician and logician, that is the definition of a paradox.  It is an event or a concept that seems at first glance to be an impossibility, or a conundrum of some complexity, but can be explained to unfold the absurdity first displayed.  Thus — of the man who has walked the earth for decades but is technically only 9 years old, until one realizes that his birthday falls on the 29th of February, a date that appears only once every 4 years; this is a paradox, until the absurdity is explained and it suddenly makes sense.

Similarly, a medical condition is a paradox: It is an absurdity of sorts, especially when it hits a person in the prime of his or her life.  What possible explanation can be had?  Where is the “fairness” in it, and why do some people who eat all sorts of junk food for years on end never experience the calamity of a chronic and progressively deteriorating medical condition?  Where is the “equal employment opportunity” of a devastating medical condition?

Where is the sense of “fair play” displayed when a medical condition pounces upon a Federal or Postal employee and suddenly no amount of past accomplishments make up for the sudden loss of productivity and need to use the accumulated sick leave, and even invoke FMLA rights in order to attend to one’s health?

For Federal and Postal employees who suffer from a medical condition such that the medical condition prevents the Federal or Postal employee from performing one or more of the essential elements of one’s Federal or Postal position, the paradox comes in the form of when to consider filing for Federal Disability Retirement benefits, whether the Federal or Postal employee is under FERS, CSRS or CSRS Offset.  For, filing a Federal Disability Retirement application through the U.S. Office of Personnel Management is indeed an admission of a need for change; yet, paradoxically, change is precisely what your Federal Agency or the Postal Service does NOT want — they want you to continue as before the onset of your medical condition.

The absurdity resides in the lost sense of priorities: work, as opposed to one’s health; stresses that exacerbate, as opposed to relieving those elements that contribute to one’s deteriorating conditions.  The only explanation that makes sense is to prepare, formulate and file a Federal Disability Retirement application, to be submitted to OPM in order to be able to focus upon one’s health.

That is the paradox, and the absurdity with an explanation for a Federal or Postal employee who needs to file for Federal Disability Retirement benefits.

Sincerely,

Robert R. McGill, Esquire

 

Federal Disability Retirement: Circumstances and choices

When is it too late to begin reflecting upon one’s circumstances and choices?  Do we already do that daily, and does the length of rumination engaged depend upon where one’s station in life has reached? Do old men and squeaky rocking chairs justify such reflective modes of behavior, or do the young as well take the time to ponder upon choices made, circumstances encountered, and the spectrum of clashes in between?

Do we formulate a fauna of false representations of ourselves, and depict upon the screen of a mind’s inner movie of the “self” with edited versions so that, when queried, we can make those “bad mistakes” of past choices appear to fit into circumstances where we can innocently declare, “I had no other choice!”?  We “make the bed we lie in”; suffer from the “messes we make of our lives”; or of what other adage or declarative falsehoods may we come up with to excuse our own choices in life’s travail of valleys full of mournful echoes?

Circumstances often dictate the choices we make; or, at least the metaphor of “dictation” leads us to believe.  For, the very idea of “X dictates Y” as in the previous statement, “Circumstances dictate the choices we make”, removes us of the responsibility in making the choice, by making it appear as if the choice made is not really a choice at all, but merely an action that is necessitated and you are therefore merely an unwilling agent.

What is lost in such discourse, of course, is the lengthy history of sub-choices previously presented and ignored, where choices that could have been made before circumstances became so dire that the narrowing of alternatives dissipated until a crisis point came to the fore — that is where circumstances and choices require careful analysis before the alternative juncture of varying pathways disappear.

For Federal employees and U.S. Postal workers who suffer from a medical condition such that the medical condition prevents the Federal or Postal worker from performing one or more of the essential elements of one’s Federal or Postal job, whether under FERS, CSRS or CSRS Offset, it is important to early on recognize the circumstances unfolding and the choices presented, before the multitude of “forks in the road” begin to disappear, and life’s circumstances begin to impose — not binary choices — but choices that begin to dictate.

Preparing, formulating and filing an effective Federal Disability Retirement application through the U.S. Office of Personnel Management may not seem like a choice that one wants to undertake, but it is often the circumstances that one has no control over that dictates the future course of choices, and not the choices themselves.

Sincerely,

Robert R. McGill, Esquire

 

Disability Retirement from Federal Government Employment: The Well-Digger’s Daughter

It is a French film directed by Daniel Auteuil, and depicts an age just before, during, and after the First World War, when rural life still embraced a contempt for modern values, and the pastoral context defined the the quietude of family life yet unblemished but for private shame of family secrets.  It is in the title itself which reveals much; for, there is no independence of a person’s name, and the underlying theme throughout encapsulates the right to a surname, the identity of an individual, and how the interconnectedness of one’s essence, being and substantive community is itself defined by the proper ascription of who we are related to, how, and by what legitimacy.

It is, in that sense, outdated and “old fashioned”; for, in modernity, we cast no aspersions when it comes to heredity, lineage and source of being, anymore.  But the historical context reflects the time of its relevancy; here, names matter; formal acknowledgement of marital unions within a community of acceptance and celebration are expected; and the child who comes into this world must be identified by the proper surname through label of sacrament.  At the outset, the title itself reveals much; for, we immediately note that it is not the name of a person, but an identity within the context of a family lineage.

In this day and age, names are no more important than the identification of inanimate objects; relational identities have been cast aside; we are known, each of us, by the names we have been given, have shed and taken on in rebellious denial of former connections, or so easily abandon and recreate, like so many pseudonyms used on the technology of our former selves.  But try as we might, somehow the haunting connections seem to matter; otherwise, how else to explain the persistent cries of orphans and abandoned children to search and discover who their parents are, and to open up sealed court documents to embrace identities formerly unknown?

Is it a mere mirage and vestige of an antiquated mutation, where the genetic lineage served to fulfill Darwin’s fantasy of survival of the fittest, somehow misinterpreted by one’s cellular make-up to include direct inheritance of a particular DNA?  And why is the language so precise and important?  Would the story have been any different if it had been titled, say, “The Girl who wore a pink bonnet”?  The narrative could still have remained; but, somehow, by merely identifying the character by what she wore, is not the same as to whom she is related to, of how she is named, and by what relationship her being is connected.

Words — and names — matter.   Identifying the proper relationships, and the context of connectedness, all together form the “wholeness” of a coherent narrative.

That is why, in preparing and formulating a Federal Disability Retirement application, it is important to coordinate the medical documentation with the Applicant’s Statement of Disability; the Applicant’s Statement of Disability with any legal arguments to be made and cited; and any legal arguments with both the medical documentation and the Applicant’s Statement of Disability.  For, each are not mere separate codifications of independent entities unrelated to the other; together, they form a compendium of a cogent narrative, whether the Federal employee or U.S. Postal worker is under FERS, CSRS or CSRS Offset; and when such force of coherence is submitted to the U.S. Office of Personnel Management, it heightens the statistical favoritism for an initial approval.

And, like the Well-Digger’s Daughter, we must always remember that the interconnectedness of life, living, and the essence of everything around, is defined not merely in our individual capacities, but by the sacredness of who we present ourselves to be.

Sincerely,

Robert R. McGill, Esquire

 

OPM Medical Retirement: Artistic precision and the caravan of words

The two words in the initial linguistic compound are rarely combined; for, as the former denotes a free-wheeling flow of undisciplined handiwork, it resists against the latter for its constraining methodology of instrumental pragmatism.  Thus, an “artist” by definition belies the very definition of precision, and “precision” connotes too rational an approach within the contextual themes of scientism and material fortitude.

Are they oxymorons?  Not quite.  Inconsistent in an aggregation of conceptual constructs?  Perhaps, to a degree of some incommensurability.  Nevertheless, as even opposites can still attract, and manage to discover ways to synchronize, so the free-flowing phenomenology of creativity inferred by an artistic hand, can with the guiding principles of methodological precision, garner a coordination of approaching beauty by analogy and pastoral effect by metaphor.

With that, we approach the latter half of the title — of a “caravan of words“.  Some would picture in the mind’s eye of a distant past, where antiquity and modernity clash in a final battle of lost yearnings; of a line of camels against the sunset of a desert’s sky, when languages uttered were foreign and exciting in their romantic interludes.  Nowadays, in a world gone mad, no one cares a twit about such scenes except to fear the violence and mayhem which is represented by a technological world having replaced the transport of goods by beasts of burdens.

It is, however, the addendum of “words”, attached to the concept of a caravan, which qualifies for significance and meaning.  For, by conveyance through a manner lost now in the fading antiquity of time, memories and forgotten worlds, we once communicated through a caravan of words, but now simply rush upon a computer key or a smartphone app.

We thus come to the ending chorus, the finale, the drumbeat of closure:  True communication can only occur through a series of burdensome approaches in transporting language into an effective word picture, utilizing both the imagination of artistry and the deliberations of scientific precision.

This should be kept in mind when a Federal or Postal employee who is preparing the Statement of Disability on SF 3112A, that the narrative to be told in response to questions asked, should encompass all of the elements discussed:  unrestrained by the questions themselves, yet precise in formulating the argument; conveyed not by mere convenience of transport, but carefully packed upon the backs of reliable caravans.

Words mean something, and when the Federal employee or U.S. Postal worker sits down to prepare an effective Statement of Disability on Standard Form 3112A in order to formulate a Federal Disability Retirement application, whether the Federal or Postal employee is under FERS, CSRS or CSRS Offset, it is important to engage in the artistic precision of a caravan of words, lest the means for conveyance of one’s narrative be delayed by an obstacle of technological obfuscation.

Sincerely,

Robert R. McGill, Esquire